Leseprobe
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Invisible Storytellers
Sarah Kozloff
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University of California Press 
Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
"Let me tell you a story," each film seems to offer silently as its opening frames hit the screen. But sometimes the film finds a voice—an off-screen narrator—for all or part of the story. From
Wuthering Heights and
Double Indemnity to
Annie Hall and
Platoon, voice-over narration has been an integral part of American movies.
Through examples from films such as
How Green Was My Valley,
All About Eve,
The Naked City, and
Barry Lyndon, Sarah Kozloff examines and analyzes voice-over narration. She refutes the assumptions that words should only play a minimal role in film, that "showing" is superior to "telling," or that the technique is inescapably authoritarian (the "voice of god"). She questions the common conception that voice-over is a literary technique by tracing its origins in the silent era and by highlighting the influence of radio, documentaries, and television. She explores how first-person or third-person narration really affects a film, in terms of genre conventions, viewer identification, time and nostalgia, subjectivity, and reliability. In conclusion she argues that voice-over increases film's potential for intimacy and sophisticated irony.
Kundenbewertungen
film interpretation, documentary film, narration, filmmaking, adaptation theory, narrative theory, how green was my valley, nonfiction, red river, storytelling, newsreels, opening frames, adaptations, book to movie, film studies, all about eve, film technique, literature, naked city, platoon, film adaptation, silent film, tv, voice over, annie hall, film criticism, media, wuthering heights, narrative, film theory, barry lyndon, double indemnity, television, radio, exposition, film, popular culture