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More than Night

Film Noir in Its Contexts

James Naremore

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University of California Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

"Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and '50s—melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. James Naremore's prize-winning book discusses these pictures, but also shows that the central term is more complex and paradoxical than we realize. It treats noir as a term in criticism, as an expression of artistic modernism, as a symptom of Hollywood censorship and politics, as a market strategy, as an evolving style, and as an idea that circulates through all the media. This new and expanded edition of More Than Night contains an additional chapter on film noir in the twenty-first century.

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Schlagwörter

film criticism, paradoxical term, private eye, criminal gang, 1940s america, cinematography, evolving style, complex term, expanded edition, hollywood censorship, linguistics of film noir, artistic modernism, 1950s america, marketing strategy, cinema studies, femme fatale, film noir history, golden age of hollywood, film appreciation, hollywood politics