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Melville's Bibles

Ilana Pardes

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University of California Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft

Beschreibung

Many writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In Moby-Dick he not only ventured to fashion a grand new inverted Bible in which biblical rebels and outcasts assume center stage, but also aspired to comment on every imaginable mode of biblical interpretation, calling for a radical reconsideration of the politics of biblical reception. In Melville's Bibles, Pardes traces Melville's response to a whole array of nineteenth-century exegetical writings—literary scriptures, biblical scholarship, Holy Land travel narratives, political sermons, and women's bibles. She shows how Melville raised with unparalleled verve the question of what counts as Bible and what counts as interpretation.

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Schlagwörter

holy land travel narratives, biblical rebels, possession, bible, conflict, old testament, antebellum american culture, literary scriptures, religion, womens bibles, melville, political sermons, sympathy, christianity, good and evil, spiritual, 19th century american literature, job, leviathan, politics of biblical reception, moby dick, redemption, biblical scholarship, jonah, biblical outcasts, hardship, rachel, biblical interpretation, biblical exegesis, idolatry, american literature