Celluloid Symphonies

Texts and Contexts in Film Music History

Julie Hubbert (Hrsg.)

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University of California Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.

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Schlagwörter

erich korngold, art history, elmer bernstein, max steiner, digital age, popular music, auteurs, the silent film, aesthetics, music for film, postmodern film, jerry goldsmith, hollywood scores, writings, movie criticism, film studies, music history, technological innovations, howard shore, film history, movie studies, serialism, early sound films, music and film, film criticism, commercial pressure, film music, music