img Leseprobe Leseprobe

Listening as Spiritual Practice in Early Modern Italy

Andrew Dell'Antonio

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University of California Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Musik

Beschreibung

The early seventeenth century, when the first operas were written and technical advances with far-reaching consequences—such as tonal music—began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell’Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell’Antonio links the new ideas about cultivated listening with other intellectual trends of the period: humanistic learning, contemplative listening (or watching) as an active spiritual practice, and musical mysticism as an ideal promoted by the Church as part of the Catholic Reformation.

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Schlagwörter

italian history, ancient rome culture, catholicism and music, history of music, music appreciation, history of opera, aristocratic music, classical music, european visual arts, post tridentine rome, music, ancient roman history, ancient theology, baroque culture, history of visual arts, music and religion, renaissance culture, catholicism and italy, 17th century music, catholic reformation, 17th century italy, performing arts, cultural studies, musicology, european music, accademia, history of religion, european history