Leseprobe
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Film Manifestos and Global Cinema Cultures
Scott MacKenzie (Hrsg.)
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University of California Press 
Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world.
This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the
avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's
Vigilanti Cura, which nevertheless played a central role in film culture.
Kundenbewertungen
avant garde, films from the soviet union, film, national cinema, french film, global film, global history of cinema, canadian film, italian film, film studies, film manifestos, cinema, colonialism, american film, film archives, filmmaking, pornography, australian film, radical film, russian film, culture, film and digital media, european filmmakers, latin america third cinema, film culture, motion picture production code, hollywood, global cinema, gender and women studies, japanese film, international cinema, cultural studies