img Leseprobe Leseprobe

Music after the Fall

Modern Composition and Culture since 1989

Tim Rutherford-Johnson

EPUB
ca. 29,99
Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

University of California Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Musikgeschichte

Beschreibung

"...the best extant map of our sonic shadowlands, and it has changed how I listen." —Alex Ross, The New Yorker
 
"...an essential survey of contemporary music." New York Times
 
"…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound." The Wire
 
2017 Music Book of the Year—Alex Ross, The New Yorker

Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall.

Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.

Weitere Titel von diesem Autor

Kundenbewertungen

Schlagwörter

cold war era music, music criticism, permission, experimental music, remix culture, crossover work, fluidity, musical theorists, arts and entertainment, political and cultural influence, musician, musical anthropology, sampling music, excess, evolution of music, western art, musicians, sound art, concert hall, music composition, string quartets, music theory