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The Art of Fugue
Joseph Kerman
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University of California Press 
Geisteswissenschaften, Kunst, Musik / Musik
Beschreibung
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit
www.luminosoa.org to learn more.
Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving.
These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
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studies in classical music, 18th century fugues, fugues, the well tempered clavier, music appreciation, musical scores, fugue in c minor, organ toccatas, fugue in c major, organ music, piano keyboard, musical analysis, musicology, bach, harpsichord music, classical music, intimate fugues, keyboard music, musical commentary, music theory, keyboard composition, 18th century music, history of music, music composition, clavichord music, technical music analysis