The Photographic Object 1970
Mary Statzer (Hrsg.)
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Geisteswissenschaften, Kunst, Musik / Kunstgeschichte
In 1970 photography curator Peter C. Bunnell organized an exhibition called Photography into Sculpture for the Museum of Modern Art, New York. The project, which brought together twenty-three photographers and artists from the United States and Canada, was among the first exhibitions to recognize work that blurred the boundaries between photography and other mediums. At once an exhibition catalogue after the fact, an oral history, and a critical reading of exhibitions and experimental photography during the 1960s and 1970s, The Photographic Object 1970 proposes precedents for contemporary artists who continue to challenge traditional practices and categories. Mary Statzer has gathered a range of diverse materials, including contributions from Bunnell, Eva Respini and Drew Sawyer, Erin O’Toole, Lucy Soutter, and Rebecca Morse as well as interviews with Ellen Brooks, Michael de Courcy, Richard Jackson, Jerry McMillan, and other of the exhibition’s surviving artists. Featuring seventy-nine illustrations, most of them in color, this volume is an essential resource on a groundbreaking exhibition.
1960s photography, contemporary artists, museum of modern art, ellen brooks, michael de courcy, moma, eva respini, 20th century photography, lucy soutter, 1970s photography, jerry mcmillan, photography into sculpture, rebecca morse, drew sawyer, american photography, art history, richard jackson, american artistry, 20th century american photography, art appreciation, erin otoole, canadian photographers, north american photographers, photography