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Jazz Diasporas
Rashida K. Braggs
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University of California Press 
Sachbuch / Jazz, Blues
Beschreibung
At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians adopted a variety of strategies to cope with the cultural and social assumptions that confronted them throughout their careers in Paris, particularly as France became embroiled in struggles over race and identity when colonial conflicts like the Algerian War escalated. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this postwar musical migration. She examines key figures including musicians Sidney Bechet, Inez Cavanaugh, and Kenny Clarke and writer and social critic James Baldwin to show how they performed both as artists and as African Americans. Their collaborations with French musicians and critics complicated racial and cultural understandings of who could represent “authentic” jazz and created spaces for shifting racial and national identities—what Braggs terms “jazz diasporas.”
Kundenbewertungen
postwar musical migration, african americans in paris, kenny clarke, 20th century music, african american artists, black identity in postwar france, music history, james baldwin, jazz music, paris race relations during algerian war, african american musicians, jazz and race, paris jazz scene, african american performance, jazz diasporas, sidney bechet, cultural conflict paris, performance of race, jazz history, inez cavanaugh, jazz studies