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Parameters of Disavowal

Colonial Representation in South Korean Cinema

Jinsoo An

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Geisteswissenschaften, Kunst, Musik / Regional- und Ländergeschichte

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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit  www.luminosoa.org to learn more.

The colonial experience of the early twentieth century shaped Korea’s culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films,  kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the  kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past.

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Schlagwörter

academic, postcolonial film, korean history, postcolonial, politics, colonial, imperialism, korean, natural history, south korea, luminos, cultural identity, nationalism, anticolonial, cold war, wwii, wwi, korea, wartime, korean cinema, early 20th century, national history, postcolonial cinema, geopolitics, south korean history, cinema, 20th century, 1900s, scholarly