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Dialectics without Synthesis

Japanese Film Theory and Realism in a Global Frame

Naoki Yamamoto

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University of California Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

Dialectics without Synthesis explores Japan’s active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-held oppositions between realism and modernism, universalism and particularism, and most notably, the West and the non-West are challenged through a radical reconfiguration of the geopolitics of knowledge production and consumption.

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Schlagwörter

realism and modernism, cinematic realism, textual realism, modernity, knowledge production, consumption, philosophy, cultural studies, naturalism, film theory, avant garde art, film criticism, universalism and particularism, japanese film, postwar debates, modernism, 20th century film criticism, bergsonism, japan, literary adaptation, film, japanese movies, japanese film theory, movie theory, documentary film, japanese cinema, movie criticism, literature, geopolitics, marxism