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Black, White, and in Color

Television and Black Civil Rights

Sasha Torres

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Princeton University Press img Link Publisher

Sozialwissenschaften, Recht, Wirtschaft / Medienwissenschaft

Beschreibung

This book examines the representation of blackness on television at the height of the southern civil rights movement and again in the aftermath of the Reagan-Bush years. In the process, it looks carefully at how television's ideological projects with respect to race have supported or conflicted with the industry's incentive to maximize profits or consolidate power.


Sasha Torres examines the complex relations between the television industry and the civil rights movement as a knot of overlapping interests. She argues that television coverage of the civil rights movement during 1955-1965 encouraged viewers to identify with black protestors and against white police, including such infamous villains as Birmingham's Bull Connor and Selma's Jim Clark. Torres then argues that television of the 1990s encouraged viewers to identify with police against putatively criminal blacks, even in its dramatizations of police brutality.


Torres's pioneering analysis makes distinctive contributions to its fields. It challenges television scholars to consider the historical centrality of race to the constitution of the medium's genres, visual conventions, and industrial structures. And it displaces the analytical focus on stereotypes that has hamstrung assessments of television's depiction of African Americans, concentrating instead on the ways in which African Americans and their political collectives have actively shaped that depiction to advance civil rights causes. This book also challenges African American studies to pay closer and better attention to television's ongoing role in the organization and disorganization of U.S. racial politics.

Kundenbewertungen

Schlagwörter

Freedom Riders, African-American Civil Rights Movement (1954–68), Cross-class alliance, Headline, Rhonda, Person of color, Adult, Publicity, The Other Hand, Mollen Commission, Giuliani Time, V., Sit-in, Color Adjustment, Howard Winant, Spike Lee, David Garrow, Michael Omi, Racial hierarchy, Charles McDew, David Halberstam, Of Black America, Crime, Libido, Benjamin Chavis, White guilt, Black Boy, John Lithgow, White paper, Close-up, Judith Butler, Do the Right Thing, Bevel, Orval Faubus, Black people, Another Woman, Chapter 5, Sexism, Narrative, Activism, Equal opportunity, Slavery, Racism, Berenson, Color line (civil rights issue), Abner Louima, Marlon Riggs, Racial politics, Stereotypes of African Americans, Civil Rights Act, Ideology, South Carolina, The Various, Watching, Episode, National Association for the Advancement of Colored People, Black Power, Critical race theory, Voice-over, Elijah Muhammad, Mr., African Americans, Footage, Police, Law enforcement, Rodney King, Racial segregation, Brooklyn South, L.A. Law, Affirmative action