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The Japanese Film

Art and Industry - Expanded Edition

Donald Richie, Joseph L. Anderson

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

Tracing the development of the Japanese cinema from 1896 (when the first Kinetoscope was imported) through the golden ages of film in Japan up to today, this work reveals the once flourishing film industry and the continuing unique art of the Japanese film. Now back in print with updated sections, major revaluations, a comprehensive international bibliography, and an exceptional collection of 168 stills ranging over eight decades, this book remains the unchallenged reference for all who seek a broad understanding of the aesthetic, historical, and economic elements of motion pictures from Japan.

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Schlagwörter

Benkei, The Easy Way Out, Pretty Face, Novelization, Sound film, Two Women, The Story of the Last Chrysanthemums, Akira Kurosawa, Carol Reed, The Other Hand, Kenji Mizoguchi, Benshi, Superiority (short story), Frank Capra, Akio Jissoji, Farley Granger, An Autumn Afternoon, Jules Dassin, Gekiga, Escape at Dawn, Shochiku, Mansaku Itami, William Holden, Life Is Beautiful, Yotsuya Kaidan, The Woman Next Door, Nikkatsu, Sweet Sweat, Tatsumi Kumashiro, Late Spring, Japanese painting, Kabuki dance, Akasen, Drunken Angel, Mifune, Film industry, Romanticism, A Single Man, Rickshaw Man, Daiei Film, Osaka Elegy, Jidaigeki, Shintoho, Shomin-geki, Francis Ford Coppola, Mr. Smith Goes to Washington, Soap opera, Eirin, Senkichi Taniguchi, The Remaining, Gary Cooper, His Favorite, Shingeki, Marilyn Monroe, Apart from You, Late Chrysanthemums, George Albert Smith (film pioneer), Hideo, Seven Samurai, Toho, The Little Foxes, Ikiru, The Life of Oharu, Meet John Doe, Crazed Fruit, Setsuko Hara, Mikio Naruse, Melodrama, Nomura, Slow motion