The Grace of the Italian Renaissance
Ita Mac Carthy
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Geisteswissenschaften, Kunst, Musik / Geschichte
How grace shaped the Renaissance in Italy
"Grace" emerges as a keyword in the culture and society of sixteenth-century Italy. The Grace of the Italian Renaissance explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as Francesco del Cossa, Raphael and Michelangelo and explores anew writers like Castiglione, Ariosto, Tullia d'Aragona and Vittoria Colonna. It shows how these artists and writers put grace at the heart of their work.
Grace, Ita Mac Carthy argues, came to be as contested as it was prized across a range of Renaissance Italian contexts. It characterised emerging styles in literature and the visual arts, shaped ideas about how best to behave at court and sparked controversy about social harmony and human salvation. For all these reasons, grace abounded in the Italian Renaissance, yet it remained hard to define. Mac Carthy explores what grace meant to theologians, artists, writers and philosophers, showing how it influenced their thinking about themselves, each other and the world.
Ambitiously conceived and elegantly written, this book portrays grace not as a stable formula of expression but as a web of interventions in culture and society.
Pliny the Elder, Courtesy, Iconography, Orlando Furioso, Balzan, Art, Sprezzatura, Allegory, Moderata Fonte, Lodovico Dolce, Johann Joachim Winckelmann, Paragone, Sanctification, Spirituali, Lecture, Pope Leo X, Catherine of Siena, Michelangelo, Work of art, Pietro Bembo, Writing, Princeton University Press, Art criticism, Suggestion, De Oratore, Drawing, Tullia d'Aragona, Canossa, Palazzo Schifanoia, Grace and favour, Spiritual gift, Durham University, Poetry, Buonarroti, Protogenes, Brotton, Spirituality, Pope Paul III, Martin McLaughlin, Italian Renaissance, Art critic, Close reading, Renaissance art, O'Sullivan, Treatise, Generosity, Emblem, God's Grace, Clodagh, San Giorgio Maggiore, Quintilian, Irony, Medici Chapel, Rhetoric, Literature, Pope Julius II, Giorgio Vasari, Institutio Oratoria, Poliziano, Mythologies (book), Divine grace, Philosopher, Parody, Religious experience, Counter-Reformation, Romanticism, Aesthetics, Humility, Giovanni Pico della Mirandola, Terence, Baldassare Castiglione, Decorum, Reginald Pole, Philology, God, Ambivalence, Mannerism, La Fornarina, Petrarch, Christian theology, Courtier, Francesco del Cossa, Vittoria Colonna, Sola fide, Bembo, Codrington Library, Thought, Canti (Leopardi), Council of Trent, Epigram, Flattery, Narrative, Satire, Calculation, Anathema, Art history, Linguistics, Renaissance humanism, Astolfo, Prose