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From Caligari to Hitler

A Psychological History of the German Film

Siegfried Kracauer

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism

First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation.

With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.

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Schlagwörter

Procession, Pity, Narrative, Documentary film, Henrik Galeen, Faust, Literature, Brigitte Helm, Humiliation, Prussia, Footage, Gerhart Hauptmann, Propaganda film, From Caligari to Hitler, Pacifism, Entertainment, Optimism, Nuremberg, Fritz Lang, Absurdity, Operetta, Unemployment, Intertitle, Silent film, Social reality, World War I, Screenwriter, Ambiguity, Middle class, Meyer Schapiro, Illustration, Affair, The Germans, Determination, Tartuffe, Newsreel, Adolescence, Melodrama, Napoleon, Code of Honor, Nazism, War film, Social criticism, Suffering, Pola Negri, Henny Porten, E. T. A. Hoffmann, Asta Nielsen, Dziga Vertov, Karl Freund, Erich Pommer, Subtitle (captioning), Brothel, Multitude, Enthusiasm, Suggestion, Close-up, Heinrich Mann, Illus, Ideology, Leni Riefenstahl, Romanticism, Frederick the Great, Nazi propaganda, Carl Mayer, Misery (novel), New Objectivity, Werner Krauss, Freikorps, Episode, Film industry, Farce, Criticism, Film, Sadness, Emil Jannings, Mountain film, Thea von Harbou, Narration, Neverland, Resentment, Lighting, The Cabinet of Dr. Caligari, Nazi Germany, Max Reinhardt, Acting, Universum Film AG, Propaganda, Movie theater, The Other Hand, Unrest, Robert Wiene, Satire, Track Down, Curator, Photography, Germans, Filmmaking, Symptom, Transliteration