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Michelangelo, God's Architect

The Story of His Final Years and Greatest Masterpiece

William E. Wallace

ca. 18,99
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Princeton University Press img Link Publisher

Sachbuch / Biographien, Autobiographien


The untold story of Michelangelo's final decades—and his transformation into one of the greatest architects of the Italian Renaissance

As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life.

Michelangelo, God's Architect is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter’s Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter’s project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering. Assessing the situation with his uncompromising eye and razor-sharp intellect, Michelangelo overcame the furious resistance of Church officials to persuade the Pope that it was time to start over.

In this richly illustrated book, leading Michelangelo expert William Wallace sheds new light on this least familiar part of Michelangelo’s biography, revealing a creative genius who was also a skilled engineer and enterprising businessman. The challenge of building St. Peter’s deepened Michelangelo’s faith, Wallace shows. Fighting the intrigues of Church politics and his own declining health, Michelangelo became convinced that he was destined to build the largest and most magnificent church ever conceived. And he was determined to live long enough that no other architect could alter his design.

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William E. Wallace
William E. Wallace



Poetry, Marcello Venusti, Trebbiano, Ponte Sant'Angelo, Cosimo de' Medici, Spoleto, San Gimignano, Burial, Tomb of Pope Julius II, Medici Chapel, Daniele da Volterra, Giacomo della Porta, Pozzolana, Pilaster, Benvenuto Cellini, Transept, Pope Julius II, Lorenzo de' Medici, Palazzo Farnese, Antonio Barberini, Porta del Popolo, Woodcut, Lino Pertile, Drapery, Francesco Borromini, Spirituali, Petrarch, Giotto, Christendom, Travertine, Borgo (rione of Rome), Titian, Filippo Brunelleschi, Pontiff, Antonio da Sangallo, Flagellation of Christ, Entablature, Pope Paul, Reginald Pole, Battle of Cascina (Michelangelo), Pope Paul III, Designer, Marble sculpture, Giorgio Vasari, San Giovanni dei Fiorentini, Pope Paul IV, Urbino, Sebastiano del Piombo, Pirro Ligorio, Tomb, Riario, Sistine Chapel, Villa I Tatti, Vestibule (architecture), Ascanio Sforza, Michelangelo, Vittoria Colonna, Leonardo da Vinci, Kidney stone, Pope Julius III, Buonarroti, Florence Cathedral, Gasparo Contarini, Pietro Bembo, Engineering, Della Rovere, Settignano, Basilica, Capitoline Hill, Candelabra, Ludovico, Altarpiece, Strozzi family, Ascanio Condivi, St. Peter's Basilica, Giuliano da Sangallo, Cornice, Donato Bramante, Gian Lorenzo Bernini, Engraving, Rebellious Slave, Vatican City, Pope Alexander VI, Via Flaminia, Porta Pia, Santa Maria sopra Minerva, Laurentian Library, Giovanni Battista, Giovanni Morone, San Pietro in Vincoli, Scaffolding, Santa Maria della Pace, Catherine de' Medici, Casa Buonarroti, Painting, Mausoleum, Renaissance architecture, Sculpture, Roman Inquisition, Bernardino Ochino