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The Japanese Novel of the Meiji Period and the Ideal of Individualism

Janet A. Walker

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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

The Western ideal of individualism had a pervasive influence on the culture of the Meiji period in Japan (1868-1912). Janet Walker argues that this ideal also had an important influence on the development of the modern Japanese novel. Focusing on the work of four late Meiji writers, she analyzes their contribution to the development of a type of novel whose aim was the depiction of the modern Japanese individual.
Professor Walker suggests that Meiji novels of the individual provided their readers with mirrors in which to confront their new-found sense of individuality. Her treatment of these novels as confessions allows her to discuss the development of modern Japanese literature and "the modern literary self" both in themselves and as they compare their prototypes and analogues in European literature.
The author begins by examining the evolution of a literary concept of the inner self in Futabatei Shimei's novel Ukigumo (The Floating Clouds), Kitamura Tokoku's essays on the inner life, and Tayama Katai's I-novel Futon (The Quilt). She devotes the second half of her book to Shimazaki Toson, the Meiji novelist who was most influenced by the ideal of individualism. Here she traces Toson's development of a personal ideal of selfhood and analyzes in detail two examples of the lengthy confessional novel form that he created as a vehicle for its expression.
Janet A. Walker is Associate Professor of Comparative Literature at Livingston College, Rutgers University.

Originally published in 1979.

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Schlagwörter

Ralph Waldo Emerson, Haijin, Nichiren Buddhism, William Shakespeare, Critical Essays (Orwell), The Cossacks (novel), Fukuzawa Yukichi, Japanese literature, Man and Wife (novel), Fyodor Dostoyevsky, Classicism, Romantic poetry, Natsume Soseki, Ninomiya Sontoku, Self-affirmation, Irving Babbitt, Edo period, Japanese garden, Cardinal virtues, Utilitarianism, Hagakure, À rebours, Monumenta Nipponica, The Tale of Genji, Japanese painting, Novelist, Bildungsroman, Monogatari, Positivism, August Strindberg, Zuihitsu, Victorian morality, Kokugaku, Comparative literature, La Vita Nuova, Classical Chinese poetry, Filial piety, Meiji period, The Modern World (novel), Kusunoki Masashige, Of Modern Poetry, Ihara Saikaku, Christianity, Japanese Alps, Meiji Restoration, Shinto, Pen name, Buddenbrooks, Individualism, Poetry, Haikai, Of Education, William Blake, Writing, Matsuo Basho, Roman à clef, Self-love, Aestheticism, Culture of Japan, Romanticism, Morality, Puritans, Shibusawa Eiichi, En route (novel), Literature, Neo-Confucianism, Philosophy, Feudalism, His Family, Liberalism, Public morality, Futabatei Shimei, Motoori Norinaga, Japanese poetry, The Love Suicides at Amijima, Christian ethics, Ariwara no Narihira, Oku no Hosomichi, The Anatomy of Dependence, Kitamura Tokoku, Confucianism, Culture hero, Kenzaburo Oe, Ishikawa Takuboku, Confessional writing, Japanese language, Superiority (short story), Buddhism, Ibid (short story), Autobiographical novel, Émile Zola, Charles Darwin, Masaoka Shiki, English Men of Letters, Yoshiko, Yamato-damashii, Modern Fiction (essay), Jean-Jacques Rousseau, Spirituality, Buddhist ethics