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Protest!

A History of Social and Political Protest Graphics

Liz McQuiston

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeines, Lexika

Beschreibung

An authoritative, richly illustrated history of six centuries of global protest art

Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics.

Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth’s Gin Lane, Thomas Nast’s political caricatures, French and British comics, postcards from the women’s suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the “Silence=Death” emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong’s Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes.

From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women’s March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.

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Liz McQuiston

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Schlagwörter

Caricature, Typography, Trayvon Martin, Their Lives, Political satire, Film poster, Newspaper, National Association for the Advancement of Colored People, Terrorism, Thomas Nast, Illustrator, Mushroom cloud, Activism, Pamphlet, Je suis Charlie, Anti-war movement, Dictatorship, Photomontage, Designer, Publishing, Modernism, Guerrilla Girls, LGBT, March on Washington for Jobs and Freedom, John Heartfield, Publication, Cartoon, Headline, Global warming, Nazi Party, Nazism, Racial segregation, Communism, Politician, Jesus Barraza, Princeton University Press, Advertising, Suffragette, Apartheid, James Gillray, Ben Shahn, Nuclear warfare, Simplicissimus, Protest, Charlie Hebdo, Poster, Art movement, Che Guevara, Power politics, The Quarto Group, Unemployment, Postcard, Environmentalism, Soviet Union, Campaign for Nuclear Disarmament, Illustration, Civil disobedience, Satire, Adolf Hitler, Technology, Alamy, Nuclear disarmament, Nuclear weapon, Dada, Iconography, Racism, Black people, Gulf War, Pass laws, Trafalgar Square