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The Italian Madrigal

Volume I

Alfred Einstein

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Musikgeschichte

Beschreibung

Volume 1 of 3. This monumental three-volume work on the Italian madrigal from its beginnings about 1500 to its decline in the 17th century is based on the research of 40 years, and is a cultural history of the development of Italian music. Mr. Einstein, renowned musicologist, supplies a background and a sense of proportion to the field: he gives the right order to the single composers in the evolution fo the madrigal, attaches new values to old names, and places in the foreground the outstanding, but until now rather neglected, personality of Cipriano de Rore. His work is not, however, purely musicological; his object is to inquire into the functions of secular music in Italian life during the Cinquecento, and to contribute to our knowledge and understanding of that great century in general. Translated from the German by Oliver Strunk, Roger Sessions and Alexander H. Krappe.

Originally published in 1948.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Intelligibility (communication), Poet, Chanson, The Other Hand, Pantalone, Eclogue, Bradamante, Brain in a vat, Choir, Sextus Empiricus, Potentate, Dunstable, Frottola, Ambivalence, Musico, Antoine (musician), Requirement, Dempster–Shafer theory, Pleasure, Princeton University, Logical consequence, Pordenone, Baldassare Castiglione, Skepticism, Dorico, Bevilacqua, Poetics (Aristotle), Work of art, Nervo (duo), Theory of justification, Pietro Bembo, Declamation, Titian, Philosopher, Costanzo Festa, Violin family, Italians, Motet, Grand opera, Tormenta (singer), Poetry, Contrition, Epistemology, Gratitude, Stanza, Jacob Obrecht, Pessimism, Utterance, Verificationism, Parsifal, The Various, Parody, Secular music, Polonium, Quattrocento, Villanella, Writing, Unless, Absurdity, Siena, Reason, Mutatis mutandis, Petrarch, Sonnet, Vittoria Colonna, Libretto, Linguistic philosophy, An die ferne Geliebte, Inquiry, Francesco Landini, Cornelia (gens), Attention, Italian name, Sestina, Semantics, Mixolydian mode, Musician, Ballata, Scientific theory, Homage (arts), Holism, Reality, Monody, Suggestion, Isle de France (Mauritius), Canzone, Andrea Gabrieli, Piero Soderini, Metaphor, Luca Marenzio, Euripides, Claudio Monteverdi, Gothic art, Composer, Divino, Leggera, Republic of San Marco, Ercole de' Roberti, Catullus, Quatrain