Leseprobe
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Only Connect
John K.G. Shearman
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Belletristik / Briefe, Tagebücher
Beschreibung
A leading art historian’s plea for a more engaged reading of Italian Renaissance art
Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman’s concern is mostly with anterior relationships with the viewer—that is, relationships conceived and constructed as part of a work’s design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention.
Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.
Kundenbewertungen
Bembo, Bacchus and Ariadne, Aretino, Cristofano Allori, Filarete, Conceit, Christ among the Doctors (Dürer), Hercules and Cacus, National Gallery of Art, Hyperbole, Diego Velázquez, Madonna of the Harpies, Jan van Eyck, Ginevra de' Benci, Altarpiece, Mona Lisa Smile, Adolf von Hildebrand, Della Rovere, Famulus, Galleria Borghese, Epigram, Heroides, Grand manner, Paragone, Andrea Fulvio, Persius, Pesaro Madonna, Mystery play, Michelangelo, Counter-Reformation, Donatello, Master of the Virgo inter Virgines, Giorgio Vasari, Giorgione, Marriage of the Virgin (Perugino), Giovanni Pisano, Antonello da Messina, Baptistery, Catullus, High Renaissance, Caravaggio, Camera degli Sposi, Cosimo de' Medici, Mario Equicola, Giovanni Bellini, Andrea Mantegna, Intentionality, Edward Burne-Jones, Andrea del Sarto, Masaccio, Andrea Solari, Duke of Florence, High place, Antonio Rossellino, Filippino Lippi, Las Meninas, Cecilia Gallerani, Mario Praz, Orlando Furioso, Basilica, Petrarch, Feast of the Gods (art), Giulio Romano, Lodovico Dolce, Albrecht Dürer, Baroque architecture, Chiaroscuro, Parmigianino, Lateran Baptistery