Civic Ritual in Renaissance Venice
Edward Muir
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Geisteswissenschaften, Kunst, Musik / Geschichte
Beschreibung
Venice's reputation for political stability and a strong, balanced republican government holds a prominent place in European political theory. Edward Muir traces the origins and development of this reputation, paying particular attention to the sixteenth century, when civic ritual in Venice reached its peak. He shows how the ritualization of society and politics was an important reason for Venice's stability. Influenced in part by cultural anthropology, he establishes and applies to Venice a new methodology for the historical study of civic ritual.
Kundenbewertungen
Holy Week, Basilica, Relic, Sedition, Piety, Titian, Myth and ritual, Tax, Gasparo Contarini, Roman Inquisition, Political philosophy, Politics, Petrarch, Historian, War of the League of Cambrai, Italians, Institution, Italian art, Parochialism, Patriotism, Aristocracy, Iconography, Quattrocento, Secularization, Doge of Venice, Patrician (post-Roman Europe), Republicanism, Procession, Aquileia, Ducat, Coronation crown, High Renaissance, Leonardo Loredan, Mixed government, Scuola Grande di San Marco, Monarchy, Ideology, Loredan, Friar, Patrician (ancient Rome), Renaissance, Villa I Tatti, Friuli, Piazza San Marco, Saint Roch, Majesty, Investiture, Andrea Gritti, Pietro Gradenigo, Leonardo Bruni, Ruler, Italian Renaissance, Nobility, Camauro, Decorum, Sovereignty, Signoria, Hans Baron, The Machiavellian Moment, Republic of Venice, Council of Ten, Counter-Reformation, Legislation, Girolamo Savonarola, Giustiniani, Doge, Pope Alexander III, Incorruptibility, Oligarchy, Trionfi (cards)