img Leseprobe Leseprobe

The Obama Portraits

Dorothy Moss, Kim Sajet, Taína Caragol, et al.

ca. 24,99
Amazon iTunes Hugendubel Bü kobo Osiander Google Books Barnes&Noble Legimi
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Kunst


A richly illustrated celebration of the paintings of President Barack Obama and First Lady Michelle Obama

From the moment of their unveiling at the National Portrait Gallery in early 2018, the portraits of Barack and Michelle Obama have become two of the most beloved artworks of our time. Kehinde Wiley's portrait of President Obama and Amy Sherald's portrait of the former first lady have inspired unprecedented responses from the public, and attendance at the museum has more than doubled as visitors travel from near and far to view these larger-than-life paintings. After witnessing a woman drop to her knees in prayer before the portrait of Barack Obama, one guard said, "No other painting gets the same kind of reactions. Ever." The Obama Portraits is the first book about the making, meaning, and significance of these remarkable artworks.

Richly illustrated with images of the portraits, exclusive pictures of the Obamas with the artists during their sittings, and photos of the historic unveiling ceremony by former White House photographer Pete Souza, this book offers insight into what these paintings can tell us about the history of portraiture and American culture. The volume also features a transcript of the unveiling ceremony, which includes moving remarks by the Obamas and the artists. A reversible dust jacket allows readers to choose which portrait to display on the front cover.

An inspiring history of the creation and impact of the Obama portraits, this fascinating book speaks to the power of art—especially portraiture—to bring people together and promote cultural change.

Published in association with the Smithsonian's National Portrait Gallery, Washington, DC

Weitere Titel von diesem Autor
Dorothy Moss
Dorothy Moss



Publication, Pablo Picasso, Linda Nochlin, Rembrandt Peale, Shepard Fairey, Smithsonian Institution, Racism, National Gallery of Art, Spelman College, Designer, Andrew Mellon, Tarsila do Amaral, Harper's Weekly, Gustav Klimt, Art, Figurative art, National Portrait Gallery (United States), Barack Obama, African Americans, Kehinde Wiley, Glenn Ligon, Mathew Brady, Neo-Victorian, Sojourner Truth, Eldzier Cortor, Skirt, Elizabeth Catlett, Washington Color School, Horace Pippin, Wealth, John Singer Sargent, James Abbott McNeill Whistler, Madame Moitessier, George Peter Alexander Healy, Athenian Democracy, Thelma Golden, White House Historical Association, Black Power, Colonialism, Self-portrait, Art critic, Philadelphia Museum of Art, Americans, Grace Hartigan, Kerry Washington, Betsy Graves Reyneau, Presidential portrait (United States), Career, Amy Sherald, Phillis Wheatley, Vietnam Veterans Memorial, Michael S. Smith (interior designer), Martin Luther King, Jr., David C. Ward, Contemporary art, Aaron Shikler, Art history, Georgetown University, E pluribus unum, W. E. B. Du Bois, Harriet Tubman, Oscar Handlin, Frida Kahlo, Jacques-Louis David, Work of art, Laura Wheeler Waring, Jean-Auguste-Dominique Ingres, Caspar David Friedrich, Economic inequality, George W. Bush, Wendy MacNaughton, Edward Burne-Jones, Photography, Ralph Ellison, Roberta Smith, Grand manner, Whistler's Mother, Women artists, Michelle Obama, Printmaking, National Museum of African American History and Culture, Barkley L. Hendricks, Copyright, Elaine de Kooning, Anders Zorn, Photograph, John Trumbull, Rubens Peale, Curator, Diplomatic Reception Room (White House), Poster, Gertrude Stein, Christina's World, Chrysanthemum, Grandparent, Slavery, Andrew Wyeth, Rosie the Riveter, Steven Spielberg, The New York Times