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The Late Poems of Meng Chiao

Meng Chiao

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Belletristik / Lyrik, Dramatik

Beschreibung

Late in life, Meng Chiao (A.D. 751--814) developed an experimental poetry of virtuosic beauty, a poetry that anticipated landmark developments in the modern Western tradition by a millennium. With the T'ang Dynasty crumbling, Meng's later work employed surrealist and symbolist techniques as it turned to a deep introspection. This is truly major work-- work that may be the most radical in the Chinese tradition. And though written more than a thousand years ago, it is remarkably fresh and contemporary. But, in spite of Meng's significance, this is the first volume of his poetry to appear in English.


Until the age of forty, Meng Chiao lived as a poet-recluse associated with Ch'an (Zen) poet-monks in south China. He then embarked on a rather unsuccessful career as a government official. Throughout this time, his poetry was decidedly mediocre, conventional verse inevitably undone by his penchant for the strange and surprising. After his retirement, Meng developed the innovative poetry translated in this book. His late work is singular not only for its bleak introspection and "avant-garde" methods, but also for its dimensions: in a tradition typified by the short lyric poem, this work is made up entirely of large poetic sequences.

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Schlagwörter

Ice bath, Ancient China, Ingeborg Bachmann, Militarism, Rainer Maria Rilke, Poetry, Chrysanthemum, All things, Bird nest, Bamboo ticking, Edmund Keeley, Long poem, Emperor Yao, Conscription, Hermeticism, Tang dynasty, The Suppliants (Aeschylus), Chinese dragon, An Lushan Rebellion, Courtesan, Osip Mandelstam, Inkstick, Scholar-official, The Ten Thousand Things, Eugenio Montale, Philip Sherrard, Three Gorges, Inkstone, Leonard Nathan, Lisel Mueller, Man alone (stock character), Scented water, Guido Gozzano, Year, Laments (Kochanowski), Chang'an, Mountain stream, ancient sage, Analects, Poet, Zhou dynasty, Angelos Sikelianos, Incarnation, Spirituality, Solipsism, Xue Tao, Chinas, Lament, Tomb, Lacquer, Yin and yang, David Hinton, Taoism, Chan Buddhism, True Heart, Chinese poetry, Sincerity, Broth, Chinese culture, Primary source, Burial, Bathing, Sensibility, Human voice, Shang dynasty, Symbolism (arts), Confucius, Aeschylus, Autumn Thoughts, The Other Hand