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The Hitchcock Romance

Love and Irony in Hitchcock's Films

Lesley Brill

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

Was Alfred Hitchcock a cynical trifler with his audience's emotions, as he liked to pretend? Or was he a profoundly humane artist? Most commentators leave Hitchcock's self-assessment unquestioned, but this book shows that his movies convey an affectionate, hopeful understanding of human nature and the redemptive possibilities of love. Lesley Brill discusses Hitchcock's work as a whole and examines in detail twenty-two films, from perennial favorites like North by Northwest to neglected masterpieces like Rich and Strange.

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Schlagwörter

Resentment, Ambiguity, Film studies, Neurosis, The Other Hand, Blackmail, Epithet, Suggestion, Close-up, Melodrama, Tragedy, Rear Window, Romantic hero, Protagonist, High Spirits (musical), Artifice, Opening credits, I Wish (manhwa), The Heroine, Voice-over, Episode, Parody, Mrs. Danvers, Mrs., Humour, Inception, Film criticism, The Trouble with Harry, The Comic, Narrative, Norman Bates, Cynicism (philosophy), Alfred Hitchcock, North by Northwest, To Catch a Thief, Romantic comedy film, The Lodger (Doctor Who), The Manxman, The Wrong Man, The Paradine Case, Mr., Family Plot, Emblem, Allusion, Hitchcockian, Fairy tale, Shadow of a Doubt, In Death, Easy Virtue (play), MacGuffin, Auteur theory, Career, Foreshadowing, Imagery, The 39 Steps (play), Satire, Romance film, Under Capricorn, Promiscuity, Fiction, False accusation, Egotism, Irony, Misery (novel), Romanticism, Dissolve (filmmaking), Hannay (TV series), Hotel Room, Strangers on a Train (novel), Virtuosity