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Poetry at Stake

Lyric Aesthetics and the Challenge of Technology

Carrie Noland

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft

Beschreibung

Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and René Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction.

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Schlagwörter

Fonds, Martin Heidegger, Art, Philosopher, Poet, Subjectivity, Aesthetic Theory, Charles Baudelaire, Popular culture, Immanence, Theodor W. Adorno, Advertising, Romanticism, Poetry, Criticism, Epistemology, Tristan Tzara, Paul de Man, Marjorie Perloff, Guillaume Apollinaire, Cubism, Negative Dialectics, Writer, Avant-garde, Blaise Cendrars, Irony, Heteronomy, Modernity, World War II, Arthur Rimbaud, Dialectic, Literary criticism, La Vie (painting), Illustration, Iconography, French poetry, Lyric poetry, Theory, Typography, Dada, Rhetoric, Writing, Technology, Ambiguity, Allusion, Literature, Genre, Commodification, Illuminations (poems), Parody, Situationist International, Aesthetics, Internal rhyme, Robert Delaunay, Modernism, Ideology, Johanna Drucker, The Modern World (novel), Diction, The Various, High culture, Prose, The Other Hand, Newspaper, Patti Smith, Thought, Philosophy, Sonia Delaunay, Surrealism, Postmodernism