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Daidalos and the Origins of Greek Art

Sarah P. Morris

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Pädagogik

Beschreibung

In a major revisionary approach to ancient Greek culture, Sarah Morris invokes as a paradigm the myths surrounding Daidalos to describe the profound influence of the Near East on Greece's artistic and literary origins.

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Schlagwörter

Greek name, Criticism of religion, Themistocles, Archaeology, Western Greece, Greco-Persian Wars, Daedalus, Sensibility, Politics, Poetry, Classical mythology, The Persians, Persian people, Colonies in antiquity, Medism, Battle of Salamis, Philosophical analysis, Sophocles, Temple of Olympian Zeus, Athens, Aeschylus, Herodotus, Ancient Greek sculpture, Pantheism, Theatre of ancient Greece, Crete, Lykourgos (king), Philo of Byblos, Barbarian, Greek Philosophy, Philoctetes, Ancient Greek art, Immanence, Ancient Greek comedy, Ancient Greece, Etruscan civilization, Literature, Acropolis, Greeks, Temple of Artemis, Histories (Herodotus), Philosophy, Reason, Greek literature, Hesiod, Thebes, Greece, Funeral oration (ancient Greece), Phoenicia, Teleology, Greek mythology, Greek tragedy, Classical Greece, Oedipus the King, Athenian Democracy, Erechtheus, Baruch Spinoza, Classical Athens, Ionians, Religion, Euripides, Philosopher, Sola scriptura, Peloponnesian War, Classical archaeology, Greek Ship, Maimonides, Phrygians, Archaic Greece, Ancient Greek temple, Marrano, Phoenician alphabet