img Leseprobe Leseprobe

Only Connect

Art and the Spectator in the Italian Renaissance

John K.G. Shearman

PDF
ca. 42,99
Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop Kulturkaufhaus ebooks-center.de
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

Princeton University Press img Link Publisher

Belletristik / Briefe, Tagebücher

Beschreibung

A leading art historian’s plea for a more engaged reading of Italian Renaissance art

Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman’s concern is mostly with anterior relationships with the viewer—that is, relationships conceived and constructed as part of a work’s design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention. Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.

Weitere Titel von diesem Autor
John K.G. Shearman

Kundenbewertungen

Schlagwörter

Mona Lisa Smile, Orlando Furioso, Bacchus and Ariadne, Giorgio Vasari, Andrea Solari, Edward Burne-Jones, High place, Catullus, Counter-Reformation, Masaccio, Filarete, Madonna of the Harpies, Cristofano Allori, Intentionality, Mario Equicola, Petrarch, Conceit, Marriage of the Virgin (Perugino), Aretino, Hyperbole, Filippino Lippi, Altarpiece, Christ among the Doctors (Dürer), Hercules and Cacus, Antonello da Messina, Bembo, Antonio Rossellino, Giulio Romano, Albrecht Dürer, Paragone, Famulus, National Gallery of Art, Andrea del Sarto, Basilica, High Renaissance, Baroque architecture, Caravaggio, Camera degli Sposi, Della Rovere, Lateran Baptistery, Mario Praz, Giorgione, Giovanni Pisano, Michelangelo, Master of the Virgo inter Virgines, Baptistery, Epigram, Adolf von Hildebrand, Ginevra de' Benci, Heroides, Pesaro Madonna, Cecilia Gallerani, Grand manner, Duke of Florence, Feast of the Gods (art), Mystery play, Persius, Las Meninas, Donatello, Giovanni Bellini, Lodovico Dolce, Jan van Eyck, Andrea Mantegna, Andrea Fulvio, Parmigianino, Cosimo de' Medici, Diego Velázquez, Galleria Borghese, Chiaroscuro