Only Connect
John K.G. Shearman
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Belletristik / Briefe, Tagebücher
Beschreibung
A leading art historian’s plea for a more engaged reading of Italian Renaissance art
Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman’s concern is mostly with anterior relationships with the viewer—that is, relationships conceived and constructed as part of a work’s design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention. Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.
Kundenbewertungen
Mona Lisa Smile, Orlando Furioso, Bacchus and Ariadne, Giorgio Vasari, Andrea Solari, Edward Burne-Jones, High place, Catullus, Counter-Reformation, Masaccio, Filarete, Madonna of the Harpies, Cristofano Allori, Intentionality, Mario Equicola, Petrarch, Conceit, Marriage of the Virgin (Perugino), Aretino, Hyperbole, Filippino Lippi, Altarpiece, Christ among the Doctors (Dürer), Hercules and Cacus, Antonello da Messina, Bembo, Antonio Rossellino, Giulio Romano, Albrecht Dürer, Paragone, Famulus, National Gallery of Art, Andrea del Sarto, Basilica, High Renaissance, Baroque architecture, Caravaggio, Camera degli Sposi, Della Rovere, Lateran Baptistery, Mario Praz, Giorgione, Giovanni Pisano, Michelangelo, Master of the Virgo inter Virgines, Baptistery, Epigram, Adolf von Hildebrand, Ginevra de' Benci, Heroides, Pesaro Madonna, Cecilia Gallerani, Grand manner, Duke of Florence, Feast of the Gods (art), Mystery play, Persius, Las Meninas, Donatello, Giovanni Bellini, Lodovico Dolce, Jan van Eyck, Andrea Mantegna, Andrea Fulvio, Parmigianino, Cosimo de' Medici, Diego Velázquez, Galleria Borghese, Chiaroscuro