Cuba in the American Imagination

Metaphor and the Imperial Ethos

Louis A. Pérez

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The University of North Carolina Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Geschichte

Beschreibung

For more than two hundred years, Americans have imagined and described Cuba and its relationship to the United States by conjuring up a variety of striking images--Cuba as a woman, a neighbor, a ripe fruit, a child learning to ride a bicycle. Louis A. Perez Jr. offers a revealing history of these metaphorical and depictive motifs and discovers the powerful motives behind such characterizations of the island as they have persisted and changed since the early nineteenth century. Drawing on texts and visual images produced by Americans ranging from government officials, policy makers, and journalists to travelers, tourists, poets, and lyricists, Perez argues that these charged and coded images of persuasion and mediation were in service to America's imperial impulses over Cuba.

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Schlagwörter

Antonio Guiteras, child, Platt Amendment, foreign relations, Alcibiades Hidalgo, woman, ripe fruit, U.S.-Cuba, imperialism, Raúl Castro, policy, Oscar Elías Biscet, Andrés Rivero Agüero, Oswaldo Payá, Mariela Castro, bicycle, Rosa Elena Simeón Negrín, José Luis Rodríguez García, Juan Almeida Bosque, Cuban Revolution, Ricardo Alarcón de Quesada, United States, power, Carlos Lage Dávila, literature, José Ramón Balaguer Cabrera, U.S.-Latin America, Ana Betancourt, Anselmo Alliegro, Fidel Castro, Latin America, imagery, foreign affairs, paradigm, War of 1898, Cuba, motif, popular narrative, Luis Posada Carriles, Felipe Pérez Roque, Abelardo Colomé Ibarra, Abel Santamaría, occupation, Alfonso Fraga-Perez, domination, metaphor, Roberto Fernández Retamar