img Leseprobe Leseprobe

Fair Copy

Relational Poetics and Antebellum American Women's Poetry

Jennifer Putzi

EPUB
ca. 77,99
Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop Kulturkaufhaus ebooks-center.de
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

University of Pennsylvania Press, Inc. img Link Publisher

Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft

Beschreibung

In Fair Copy Jennifer Putzi studies the composition, publication, and circulation of American women's poetry in the antebellum United States. In opposition to a traditional scholarly emphasis on originality and individuality, or a recovery method centered on author-based interventions, Putzi proposes a theory and methodology of relational poetics: focusing on poetry written by working-class and African American women poets, she demonstrates how an emphasis on relationships between and among people and texts shaped the poems that women wrote, the avenues they took to gain access to print, and the way their poems functioned within a variety of print cultures. Yet it is their very relationality which has led to these poems and the poets who published them being written out of literary history. Fair Copy models a radical reading and recovery of this work in a way that will redirect the study of nineteenth-century American women's poetry.

Beginning with Lydia Huntley Sigourney and ending with Elizabeth Akers Allen and Frances Ellen Watkins Harper, Putzi argues that relational practices like imitation, community, and collaboration distinguished the poetry of antebellum American women, especially those whose access to print was mediated by class or race. To demonstrate this point, she recovers poetry by the "factory girls" of the Lowell Offering, African American poet Sarah Forten, and domestic servant Maria James, whose volume Wales, and Other Poems was published in 1839. Putzi's work reveals a careful navigation of the path to print for each of these writers, as well as a fierce claim to poetry and all that it represented in the antebellum United States.

Weitere Titel von diesem Autor
Jennifer Putzi
Weitere Titel in dieser Kategorie
Cover 1913
Jean-Michel Rabate
Cover Sounding Bodies
Shannon Draucker
Cover Writing Romantic Climate Change
Anya Heise-von der Lippe
Cover World Construction via Networking
Christopher Joseph Hansen

Kundenbewertungen

Schlagwörter

African American, Elizabeth Akers Allen, American women literature poetry history, History of the book Authorship, Wales, and Other Poems, Collaboration, Convention, Lydia Huntley Sigourney, Working-class, Feminist literary studies, Sarah Forten, working women's poetry, Frances Ellen Watkins Harper, Imitation, The Liberator, The Lowell Offering, Nineteenth-century, periodical, Class