img Leseprobe Leseprobe

Freedom to Offend

How New York Remade Movie Culture

Raymond J. Haberski

EPUB
ca. 32,99
Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop Kulturkaufhaus ebooks-center.de
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

The University Press of Kentucky img Link Publisher

Sachbuch / 20. Jahrhundert (bis 1945)

Beschreibung

In the postwar era, the lure of controversy sold movie tickets as much as the promise of entertainment did. In Freedom to Offend, Raymond J. Haberski Jr. investigates the movie culture that emerged as official censorship declined and details how the struggle to free the screen has influenced our contemporary understanding of art and taste. These conflicts over film content were fought largely in the theaters and courts of New York City in the decades following World War II. Many of the regulators and religious leaders who sought to ensure that no questionable content invaded the public consciousness were headquartered in New York, as were the critics, exhibitors, and activists who sought to expand the options available to moviegoers. Despite Hollywood's dominance of film production, New York proved to be not only the arena for struggles over film content but also the market where the financial fates of movies were sealed. Advocates for a wider range of cinematic expression eventually prevailed against the forces of censorship, but Freedom to Offend is no simple homily on the triumph of freedom from repression. In his analysis of controversies surrounding films from The Bicycle Thief to Deep Throat, Haberski offers a cautionary tale about the responsible use of the twin privileges of free choice and free expression. In the libertine 1970s, arguments in favor of the public's right to see challenging and artistic films were twisted to provide intellectual cover for movies created solely to lure viewers with outrageous or titillating material. Social critics who stood against this emerging trend were lumped in with the earlier crusaders for censorship, though their criticism was usually rational rather than moralistic in nature. Freedom to Offend calls attention to what was lost as well as what was gained when movie culture freed itself from the restrictions of the early postwar years. Haberski exposes the unquestioning defense of the doctrine of free expression as a form of absolutism that mirrors the censorial impulse found among the postwar era's restrictive moral guardians. Beginning in New York and spreading across America throughout the twentieth century, the battles between these opposing worldviews set the stage for debates on the social effects of the work of artists and filmmakers.

Weitere Titel von diesem Autor
Raymond J. Haberski
Raymond J. Haberski
Weitere Titel in dieser Kategorie
Cover Garden of Ruins
J. Matthew Ward
Cover Day of Reckoning
Mike Wendling
Cover Whistling Dixie
Jonathan Bartho
Cover Zouave Theaters
Thomas J. Brown
Cover Family War Stories
Keith P. Wilson
Cover It Took Courage
Christopher P. Lehman
Cover Family War Stories
Keith P. Wilson
Cover Cold War Country
Joseph M. Thompson
Cover Only a Few Blocks to Cuba
Mauricio Fernando Castro

Kundenbewertungen

Schlagwörter

censorship and the movies, new york city and the arts, bosley crowther, film history and criticism, new york and the movies, jonas mekas, free speech and film, freedom of expression and the arts, bonnie and clyde movie, 1960s film history, amos vogel