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Street with No Name
Andrew Dickos
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The University Press of Kentucky 
Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
Andrew Dickos's Street with No Name traces the film noir genre back to its roots in German expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses a modern cinema. He argues that, in its most satisfying form, the film noir exists as a series of conventions with an iconography and characters of distinctive significance. Featuring stylized lighting and urban settings, these films tell melodramatic narratives involving characters who commit crimes predicated on destructive passions, corruption, and a submission to human weakness and fate.
Unlike other studies of the noir, Street with No Name follows its development in a loosely historical style that associates certain noir directors with those features in their films that helped define the scope of the genre. Dickos examines notable directors such as Orson Welles, Fritz Lang, Otto Preminger, and Robert Siodmak. He also charts the genre's influence on such celebrated postwar French filmmakers as Jean-Pierre Melville, Francois Truffaut, and Jean-Luc Godard.
Addressing the aesthetic, cultural, political, and social concerns depicted in the genre, Street with No Name demonstrates how the film noir generates a highly expressive, raw, and violent mood as it exposes the ambiguities of modern postwar society.
Kundenbewertungen
overlooked noir films, cornell woolrich, sex and film noir, robert siodmak, joseph h. lewis, caper films, golden age of french cinema, film noir canon, women and film noir, french new wave, fritz lang, humphrey bogart and film noir, samuel fuller, german expressionism, robert aldrich, fight pictures, jean-pierre melville, nicholas ray, amnesia as a storytelling device, jules dassin, otto preminger, abraham polonsky, dark cinema, orson welles, don siegel, voice-over narration, american film noir, politics in film noir