Wild Music
Maria Sonevytsky
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Geisteswissenschaften, Kunst, Musik / Musik
Beschreibung
Recipient of the 2020 Lewis Lockwood Award from the American Musicological Society
What are the uses of musical exoticism? In Wild Music, Maria Sonevytsky tracks vernacular Ukrainian discourses of "wildness" as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism.
Kundenbewertungen
Wild Music, Sound and Sovereignty in Ukraine, Maria Sonevytsky, Era of revolution, Musical representations, Musical exoticism, Ukraine, Political history, Eurovison Song Contest, Indigenous radio, Tradition, culture, Global populism, State sovereignty, Nationalism, Music, Eastern Europe, Ethnography, Wesleyan music, Ethnic, Auto-Exoticism, Activism, Cabaret, Revolution, Timbre, Voice, Reality TV, Sovereign, Crimea, Ethno-Chaos, Russia, exoticism, sovereignty, sound studies, Ukrainian village songs, Ukrainia