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Rite, Flesh, and Stone

The Matter of Death in Contemporary Spanish Culture

Daniel García-Donoso (Hrsg.), Antonio Córdoba (Hrsg.)

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Vanderbilt University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Pädagogik

Beschreibung

Forensic science provides information and data behind the circumstances of a particular death, but it is culture that provides death with meaning. With this in mind, Rite, Flesh, and Stone proposes cultural matters of death as its structuring principle, operating as frames of the expression of mortality within a distinct set of coordinates. The chapters offer original approaches to how human remains are handled in the embodied rituals and social performances of contemporary funeral rites of all kinds; furthermore, they explore how dying flesh and corpses are processed by means of biopolitical technologies and the ethics of (self-)care, and how the vibrant and breathing materiality of the living is transformed into stone and analogous kinds of tangible, empirical presence that engender new cartographies of memory. Each coming from a specific disciplinary perspective, authors in this volume problematize conventional ideas about the place of death in contemporary Western societies and cultures using Spain as a case study.

Materials analyzed here—ranging from cinematic and literary fictions, to historical archives and anthropological and ethnographic sources—make explicit a dynamic scenario where actors embody a variety of positions toward death and dying, the political production of mortality, and the commemoration of the dead. Ultimately, the goal of this volume is to chart the complex network in which the disenchantment of death and its reenchantment coexist, and biopolitical control over secularized bodies overlaps with new avatars of the religious and non-theistic desires for memorialization and transcendence.

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Schlagwörter

muslim cemeteries, Euskadi, invented traditions, El verdugo film, afterlife, postcolonial theory, executioners, cemeteries, flesh, orphanhood, Nanclares de Oca, Spanish Civil War, funerals, O lapis do carpinteiro novel, Spain and Equatorial Guinea, Palmeras en la nieve film, cemetery, Biutiful film, Manuel Rivas, posthumous, victims of terrorism, mass graves, Spanish Transition, Spanish culture and history, death penalty, sanctification, Spanish Muslims, Portico da Gloria, Santiago de Compostela, Spanish colonialism, performance, Fernando León, Elisa, vida mía film, reconciliation, Jesús Carrasco, anthropology of death, historical memory, migrants, Cría cuervos film, Manuel Fraga, death, Exhumations, Amador film, 1898: Los últimos de Filipinas film, forensic eulogy, AIDS, ritual, Luis García Berlanga, desarrollismo, memory, Photography, migrants and Spain, burial, Catholic Church, Spain and the Philippines, Francisco Franco, body, Holy Week, Alejandro González Iñárritu, restitution, children in cinema, Carlos Saura, Pepe Espaliú, Javier Codesal, disappearance, religious cemeteries, mourning, Covid-19, autobiography, history of death, corpse, biopolitics, funerary rites, historical trauma, necropolitics, Tourism, religious festivals, forensic anthropology, La prima angélica film, beatification