Digital Space and Embodiment in Contemporary Cinema

Jennifer Kirby

Taylor and Francis 

Geisteswissenschaften, Kunst, Musik / Allgemeines, Lexika

Beschreibung

Digital Space and Embodiment in Contemporary Cinema examines how contemporary cinema has represented and engaged with the experience of simultaneously inhabiting digital and material spaces (i.e. "e;composite spaces"e;) in the context of the growing ubiquitousness of digital media and culture. Bringing together a range of key cinematic texts, the book examines how these films represent "e;composite space"e; by depicting often subtly and without explicit reference to technology what it feels like to live in a world of ubiquitous digital media. The book explores composite spaces through the striking use of elements like colour, symbolic graphics, and music and covers topics like: music as mediator between levels of experience/perception in visionary films such as Sucker Punch (2011) and Spring Breakers (2012); digital colour as an interface in films including Under the Skin (2013); the integration of digital graphical elements drawn from game spaces into material spaces in films such as Scott Pilgrim vs The World (2010) and Nerve (2016); and films that take place on a computer screen including 2020 s widely discussed, Zoom-produced pandemic horror film Host. Through the close analysis of these films, the book offers fresh perspectives on conceptual issues of embodiment, digital agency, and subjectivity. This book is a valuable resource for advanced undergraduates, postgraduates, and scholars in the fields of film studies, digital aesthetics and film theory, digital culture, and digital media.

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Digital Space and Embodiment in Contemporary Cinema

Jennifer Kirby

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