Leseprobe
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A Companion to Eastern European Cinemas
Anikó Imre (Hrsg.)
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Geisteswissenschaften, Kunst, Musik / Fotografie, Film, Video, TV
Beschreibung
A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. * Showcases critical historical work and up-to-date assessments of post-socialist film cultures * Features consideration of lesser known areas of study, such as Albanian and Baltic cinemas, popular genre films, cross-national distribution and aesthetics, animation and documentary * Places the cinemas of the region in a European and global context * Resists the Cold War classification of Eastern European cinemas as "other" art cinemas by reconnecting them with the main circulation of film studies * Includes discussion of such films as Taxidermia, El Perro Negro, 12:08 East of Bucharest Big Tõll, and Breakfast on the Grass and explores the work of directors including Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej u³awski, and Karel Vachek amongst many others
Rezensionen
"Imre's volume will doubtlessly prove to be an indispensible resource for scholars and educators alike, and one can only hope that the marvelous scholarship that abounds in the space of this volume will inspire further research into the cinema of the 'other' Europe."
"This is an extremely scholarly work which will be welcomed by dedicated students of Eastern European cinema and those seeking detailed source material on pre and post-Cold War East European cinema."
"Challenges outdated modes of examination, revealing Eastern European cinema's connection to European, transnational, and global media productions ... Summing Up: Highly recommended. Upper-division undergraduates and above."
"A Companion to Eastern European Cinemas is a much awaited successor to Imre's previous book, East European Cinemas. It brings together an impressive range of scholars who widen the initial discussion, arguing for the critical importance of socialist and postsocialist film cultures in a larger network of global and transnational media studies."
- Katarzyna Marciniak, author of Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland
"This volume reframes outdated paradigms, retranslates the canons and enlists new sources, vigorously shaking up the big picture of cinema in Europe."
- Natasa Durovicova, University of Iowa
Kundenbewertungen
Cultural Studies, Filmtheater, Film Theory, Film Studies, History, Zeitgeschichte Europas im 20./21. Jhd., Filmforschung, Kulturwissenschaften, 20th Century & Contemporary European History, Filmtheorie, Geschichte