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Hildegard von Bingen's Ordo Virtutum
Michael Gardiner
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Geisteswissenschaften, Kunst, Musik / Allgemeines, Lexika
Beschreibung
The Ordo Virtutum, Hildegard von Bingen s twelfth-century music-drama, is one of the first known examples of a large-scale composition by a named composer in the Western canon. Not only does the Ordo s expansive duration set it apart from its precursors, but also its complex imagery and non-biblical narrative have raised various questions concerning its context and genre. As a poetic meditation on the fall of a soul, the Ordo deploys an array of personified virtues and musical forces over the course of its eighty-seven chants. In this ambitious analysis of the work, Michael C. Gardiner examines how classical Neoplatonic hierarchies are established in the music-drama and considers how they are mediated and subverted through a series of concentric absorptions (absorptions related to medieval Platonism and its various theological developments) which lie at the core of the work s musical design and text. This is achieved primarily through Gardiner s musical network model, which implicates mode into a networked system of nodes, and draws upon parallels with the medieval interpretation of Platonic ontology and Hildegard s correlative realization through sound, song, and voice.
