img Leseprobe Leseprobe

Maurice Blanchot and the Literature of Transgression

John Gregg

ca. 52,99
Amazon iTunes Hugendubel Bü kobo Osiander Google Books Barnes&Noble Legimi
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

Princeton University Press img Link Publisher

Belletristik / Essays, Feuilleton, Literaturkritik, Interviews


In this book, the first in English devoted exclusively to Maurice Blanchot, John Gregg examines the problematic interaction between the two forms of discourse, critical and fictional, that comprise this writer's hybrid oeuvre. The result is a lucid introduction to the thought of one of the most important figures on the French intellectual scene of the past half-century.

Gregg organizes his discussion around the notion of transgression, which Blanchot himself took over from Georges Bataille--most palpably in his interpretation of the myth of Orpheus--as a paradigm capable of accounting for the relationships that exist in the textual economies formed by author, work, and reader. Chapters on the critical work address such issues as Blanchot's ambivalent attitude toward the speculative dialectic of Hegelianism, his thematization of literature's involvement with death, and the mythical and Biblical figures he uses to portray the acts of reading and writing. Gregg also performs extended close readings of two representative works of fiction, Le Très-Haut and L'Attente l'oubli, in an effort to trace Blanchot's evolution as a creator of narratives and to ascertain how his fiction can be seen as constituting a mise en oeuvre of the concerns he treats in his criticism. The book concludes with an assessment of Blanchot's place in the recent history of French critical theory.

Weitere Titel von diesem Autor



Narration, Author, Etymology, Impossibility, Acquittal, Temporal paradox, Reexamination, Discipline and Punish, Jean Baudrillard, Criticism, Pejorative, Informant, Ambiguity, Le Dernier Homme, Rhetorical device, Archi-writing, Distancing (psychology), Critical theory, Aporia, Reprimand, Metonymy, Nietzschean affirmation, Francis Ponge, Paul de Man, Anecdote, Philosophy of language, Consciousness, Preface, Secret law, Edgar Morin, Exposition (narrative), Jacques Derrida, Novel, Civil disorder, Maurice Blanchot, Cover-up, Rhetoric, Ontology, Superiority (short story), Myth, Didier Eribon, Philosophy, Disclaimer, Georges Poulet, Jean-François Lyotard, Poetry, Vincent Descombes, Impasse, The Notebooks of Malte Laurids Brigge, Critique, Problematization, Positivism, De se, Metanarrative, Copying, Mise en abyme, The Postmodern Condition, Creative writing, Letter of resignation, Fiction, Aphorism, Philosopher, Irony, Peripeteia, Discursive practice, The Gaze of Orpheus, Literary theory, Simulacrum, Georges Bataille, Depersonalization, Injunction, Narrative, Gilles Deleuze, Good and evil, Metaphor, Thought, Original intent, Hegelianism, Allegory, Theory of Forms, Anguish, Postmodernism, Literature, Alterity, Existential humanism, The Philosopher, Rapprochement, Writing and Difference, Annulment, Geoffrey Hartman, Pretext, Writing, Foray, The Simulacra, Misrepresentation, In flagrante delicto, Cultural appropriation, Intentionality, Evocation, Literary criticism