Leseprobe
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French Film Theory and Criticism, Volume 2
Richard Abel
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Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Kundenbewertungen
Un Chien Andalou, Jacques Feyder, La Vie (painting), Film theory, Cinematography, Jean Vigo, Georges Sadoul, Jean Cocteau, Philosophy, Value (ethics), Documentary film, Censorship, Jean Epstein, Silent film, Satire, Literature, Georges Duhamel, Antonin Artaud, Populism, The Realist, Fairy tale, Narrative, Sound film, Lucien Rebatet, Operetta, Proletarian literature, Ideology, Poetic realism, Louis Delluc, Jean Gabin, La Grande Illusion, Writer, Sound effect, Criticism, Film industry, Newsreel, Jean-Paul Sartre, Pessimism, Anecdote, Playwright, L'Age d'Or, Fiction, Art Young, Revue, Robert Brasillach, Joris Ivens, Publicity, Surrealism, Acting, Germaine Dulac, Je suis partout, Banality (sculpture series), Melodrama, The Other Hand, Julien Duvivier, Raimu, Writing, Filmmaking, Marcel Pagnol, Modernism, Auteur theory, Jean Renoir, Vaudeville, Marcel L'Herbier, Cinema of the United States, Understanding, Abel Gance, Attempt, Advertising, Art