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Patronizing the Arts

Marjorie Garber

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Princeton University Press img Link Publisher

Schule und Lernen / Sekundarstufe I

Beschreibung

What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts.


With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education.


Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.

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Schlagwörter

Phrenology, Poet laureate, The New York Times, Maya Angelou, New class, Pop art, Andy Warhol, Thomas Kuhn, High culture, Art school, Arts council, Funding, Yves Klein, Literature, Harvard University, Frank Stella, Novelist, Sol LeWitt, Ernst Gombrich, NEA Four, Anton Ehrenzweig, Peter Sellars, George Biddle, James Russell Lowell, Culture war, Gelett Burgess, Robert Mapplethorpe, Headline, Alfred Austin, Tie-in, Cultural policy, John Barrymore, Curator, Impresario, Absolut Vodka, Big Science, Scientist, John Maynard Keynes, Institution, Mural, Cronyism, Contemporary art, Pornography, The Other Hand, V., Liberal arts education, Fine art, Art, Inception, Jeff Koons, Technology, Testimonial, Court painter, Sam Wanamaker, Gertrude Stein, Cosimo de' Medici, Visual arts, Arthur Danto, Work of art, Diego Rivera, Outsider art, Ballet company, Romanticism, Elmer Rice, William Cobbett, Benjamin Haydon, Federal Art Project, Philanthropy, British Institution, Roland Barthes