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Imagining Virginia Woolf

An Experiment in Critical Biography

Maria DiBattista

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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

Where other works of literary criticism are absorbed with the question--How to read a book?--Imagining Virginia Woolf asks a slightly different but more intriguing one: how does one read an author? Maria DiBattista answers this by undertaking an experiment in critical biography. The subject of this work is not Virginia Woolf, the person who wrote the novels, criticism, letters, and famous diary, but a different being altogether, someone or something Maria DiBattista identifies as "the figment of the author." This is the Virginia Woolf who lives intermittently in the pages of her writings and in the imagination of her readers. Drawing on Woolf's own extensive remarks on the pleasures and perils of reading, DiBattista argues that reading Woolf, in fact reading any author, involves an encounter with this imaginative figment, whose distinct, stylistic traits combine to produce that beguiling phantom--the literary personality.


DiBattista reveals a writer who possessed not a single personality, but a cluster of distinct, yet complementary identities: the Sibyl of Bloomsbury, the Author, the Critic, the World Writer, and the Adventurer, the last of which, DiBattista claims, unites them all.



Imagining Virginia Woolf provides an original way of reading, one that captures with variety and subtlety the personality that exists only in Woolf's works and in the minds of her readers.

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Maria DiBattista
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Schlagwörter

Middlebrow, Novelist, Pun, Domestic tragedy, On Being Ill, Satire, Memoir, On the Eve, The Narrator, Artistic merit, Physiognomy, George Eliot, Elaine Showalter, A Sketch of the Past, Mrs Dalloway, Even the Queen, Fanny Brawne, Writing, A Room of One's Own, British humour, Irony, Anecdote, Marius the Epicurean, Michel de Montaigne, Idiot, Jean Genet, Clarissa, Leonard Woolf, J. D. Beresford, The Bad Book, D. H. Lawrence, Women in Love, Pierre Bayard, I. A. Richards, Samuel Beckett, Narrative, Egotism, Thomas Browne, Mrs., Nancy Mitford, William Shakespeare, Lytton Strachey, Reader-response criticism, Creative nonfiction, British Institution, Hyperbole, Jane Marcus, Euphemism, Parody, The Modern World (novel), Etymology, Droll, Literature, Platitude, Fiction writing, Virginia Woolf, E. M. Forster, Pity, Woolf, Mark Twain, Aldous Huxley, Joseph Conrad, Novel, Bloomsbury Group, Maurice Sendak, Malcolm Cowley, Solipsism, Dissociation of sensibility, Tragedy, Testimonial