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French Film Theory and Criticism, Volume 1

A History/Anthology, 1907-1939. Volume 1: 1907-1929

Richard Abel

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

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Schlagwörter

Abel Gance, Cinematography, Philippe Soupault, Surrealism, The Other Hand, Acting, Jean Cocteau, Salon d'Automne, Episode, Symbolism (arts), Decoupage, Edmond Rostand, Michel Foucault, Guillaume Apollinaire, Revue, Ridicule, Pearl White, Cinematograph, Marcel L'Herbier, Film adaptation, Film criticism, Henri Bergson, Romanticism, Ricciotto Canudo, Lecture, Blaise Cendrars, Literature, Odor, High Art, Louis Delluc, Classical Hollywood cinema, Jacques Feyder, Scenario, Narrative, Newspaper, Dramaturgy, Louis Aragon, Narration, Art, D. W. Griffith, Film theory, L'Inhumaine, Les Vampires, Suggestion, Pretext, Louis Feuillade, Furniture, Writer, Writing, Melodrama, Jean Epstein, Charlie Chaplin, Criticism, Lighting, Newsreel, Filmmaking, Film screening, Modernism, Film industry, Pantomime, La Roue, Close-up, Photography, Cubism, Mercure de France, Evocation, Germaine Dulac, Intertitle, Film, Cinema of the United States