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Ambitious Form

Giambologna, Ammanati, and Danti in Florence

Michael W. Cole

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Belletristik / Briefe, Tagebücher

Beschreibung

Ambitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors--Giambologna, Bartolomeo Ammanati, and Vincenzo Danti--as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in the process. Only through a comparative look at Giambologna and his contemporaries, it argues, can we understand them individually--or understand the period in which they worked.

Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect.

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Schlagwörter

Precondition, Shading, Supporter, Stoichiometry, Filing (legal), Giambologna, Marzocco, United States Secretary of Commerce, Museo del Prado, Sicilia (Roman province), Archetype, Palazzo Farnese, Fountain, Generosity, Florence Cathedral, Galactic Center, Manifesto, Radcliffe Institute for Advanced Study, Two Figures, Corrosion, Cylindrical coordinate system, Villa Medici, Orbital elements, Erwin Panofsky, Iconography, Lagrangian mechanics, Writing, Epoch (astronomy), Aristotelianism, Planetary migration, Cruelty-free, Ecliptic, Coat of arms, Tray, Rite, Investment, Differential equation, Venus Genetrix (sculpture), High Renaissance, Thought, Rutgers University, Time, Numerical integration, Orbit, Mannerism, Public lecture, Catherine de' Medici, Giorgio Vasari, Art Journal (College Art Association journal), Francesco Mochi, University of California Press, Nuclear weapon, Suetonius, Affection, Sgraffito, Cartesian coordinate system, Transmitter, Jupiter, Semi-major and semi-minor axes, Trienio Liberal, Binary star, Manufacturing, Duke of Florence, Catalans, Foreign direct investment, Giuliano de' Medici, Sculpture, Clothing, Ganymede (moon), Protoplanetary disk