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Crisis of the Early Italian Renaissance

Revised Edition

Hans Baron

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Geschichte

Beschreibung

Hans Baron was one of the many great German émigré scholars whose work Princeton brought into the Anglo-American world. His Crisis of the Early Italian Renaissance has provoked more discussion and inspired more research than any other twentieth-century study of the Italian Renaissance.

Baron's book was the first historical synthesis of politics and humanism at that momentous critical juncture when Italy passed from medievalism to the thought of the Renaissance. Baron, unlike his peers, married culture and politics; he contended that to truly understand the Renaissance one must understand the rise of humanism within the political context of the day. This marked a significant departure for the field and one that changed the direction of Renaissance studies. Moreover, Baron's book was one of the first major attempts of any sort to ground intellectual history in a fully realized historical context and thus stands at the very origins of the interdisciplinary approach that is now the core of Renaissance studies.

Baron's analysis of the forces that changed life and thought in fifteenth-century Italy was widely reviewed domestically and internationally, and scholars quickly noted that the book "will henceforth be the starting point for any general discussion of the early Renaissance." The Times Literary Supplement called it "a model of the kind of intensive study on which all understanding of cultural process must rest." First published in 1955 in two volumes, the work was reissued in a one-volume Princeton edition in 1966.

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Schlagwörter

Classicism, Giotto, Petrarch, Historical criticism, Papal States, Trecento, Duke of Florence, Buonaccorso da Montemagno, Padua, City-state, Renaissance, Renaissance art, Benvenuto Rambaldi da Imola, Patrician (post-Roman Europe), Scholasticism, Republic of Florence, Filippo Villani, Galeazzo Visconti, Roman Italy, War, Italian Renaissance, Panegyric, War of the Eight Saints, Battle of Actium, Lorenzo de' Medici, Battle of Pharsalus, Culture of Italy, Coluccio Salutati, English Renaissance, Giovanni Morelli, Kingdom of Italy, Italian literature, Cosimo de' Medici, Giovanni de' Medici (cardinal), Italian nationalism, War of ideas, Hyperbole, Condottieri, Patrician (ancient Rome), Vespasiano da Bisticci, Italian art, Leonardo Bruni, Niccolò Machiavelli, Badia Fiorentina, Bartolomeo Platina, Gian Galeazzo Visconti, Superiority (short story), Battle of Zagonara, Giannozzo Manetti, Signoria of Venice, Radicalism (historical), ResPublica, Rome, Albizzi, Italian Court, Fiesole, Laudatio florentinae urbis, Literature, San Miniato, Guelphs and Ghibellines, Euripides, Italian unification, Quattrocento, Filippo Brunelleschi, Romagna, Central Italian, Buonaccorso Pitti, Etruria, Italian grammar, Northern Italy