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Dante's Poets

Textuality and Truth in the COMEDY

Teodolinda Barolini

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Princeton University Press img Link Publisher

Belletristik / Lyrik, Dramatik

Beschreibung

By systematically analyzing Dante's attitudes toward the poets who appear throughout his texts, Teodolinda Barolini examines his beliefs about the limits and purposes of textuality and, most crucially, the relationship of textuality to truth.

Originally published in 1984.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Hyperbole, Ars Poetica (Horace), Malacoda, Troilus and Criseyde, Andreas Capellanus, Folquet de Marselha, Divine Comedy, Farinata degli Uberti, Petrarch, Aphorism, Simile, Dante Alighieri, Poetry, Remedia Amoris, Arnaut Daniel, Allegory, Dolce Stil Novo, Pun, Lodovico Castelvetro, Guido Cavalcanti, Sordello, Sordello (poem), Planh, Convivio, A. E. Housman, Invective, Superiority (short story), Scholasticism, Shakespeare's sonnets, Erudition, Georgics, Ugolino della Gherardesca, Le Rime, Averroes, Canzone, Geryon, Autobiography, Satires (Horace), Necromancy, Giovinezza, Aeneid, Epic poetry, Parody, Purgatorio, Satire, Supplication, Juvenal, Razo, De vulgari eloquentia, Excursus, La Vita Nuova, Psychomachia, Sonnet, Cavalcanti, John Donne, The Realist, Giacomo da Lentini, Sonnet sequence, Michael Scot, Tenso, Antonomasia, Guido delle Colonne, Courtly love, Contemptus mundi, Thebaid (Latin poem), Virgil, Forese Donati, Poliziano, Thebaid (Greek poem), Cacciaguida