The Genesis of Ezra Pound's CANTOS

Imagism, Modernist poetry, Ubi sunt, Robert Browning, Lorenzaccio, Stephen Dedalus, Samuel Taylor Coleridge, George Antheil, Juan de Mena, American poetry, Ezra Pound, Epic poetry, Bathos, Pen name, T. S. Eliot, Arnaut Daniel, Wilfred Owen, Dante Alighieri, The Love Song of J. Alfred Prufrock, Dramatic monologue, F. S. Flint, The Realist, Jeremiad, Rosenbaum, English poetry, Wyndham Lewis, Exordium (rhetoric), Catullus, Layamon, Vorticism, Tibullus, Herbert Read, Odes (Horace), Metaphysical poets, Poetry, Postmodernism, W. B. Yeats, Dada, Prose, Giulio Romano, William Shakespeare, Walter Pater, The Cantos, Juvenal, Veracity (Mark Lavorato novel), Arthur Rimbaud, Trojan War, On My First Sonne, Richard Aldington, Divine Comedy, Francis Fergusson, New Narrative, Sordello (poem), Henri Gaudier-Brzeska, Sordello, An Essay on Criticism, Odysseus, Augury, Lykourgos (king), Peter Nicholls (writer), Sonnet, Remy de Gourmont, Aeschylus, Omar Pound, Gerontion, Literary modernism, Hugh Selwyn Mauberley, Modernism, Mr., Baucis and Philemon