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Film Essays and a Lecture

Sergei Eisenstein

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

Sergei Eisenstein's greatness lies not only in his films, such as Potemkin or Ivan the Terrible, or his contributions to the technique and art of the cinema but also in his contributions as a theoretician and philosopher of the art. This edition includes a new translation of Eisenstein's essay on Orozco.

Originally published in 1982.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Declamation, Poster, British Film Institute, Publication, Episode, Suggestion, Moscow Art Theatre, Censorship, Ideology, Lecture, Mark Twain, Film criticism, Melodrama, Film industry, Filmmaking, Film theory, Work of art, Class analysis, Film leader, Charlie Chaplin, Film, Film school, To Life, Art director, The Other Hand, Essay, Newspaper, On Cinema, Richard Wagner, Writing, Physiognomy, Photoplay, The House of Hate, Ambrose Bierce, Film finance, War film, Acting, Sound film, Scenario, Cinematography, Satire, Dissolve (filmmaking), Bibliography, Prose, Cesare Borgia, Stimulant, Film treatment, Photography, Philosopher, Psychology, La Peau de chagrin, Literature, Writer, Coffin, The Great Dictator, Superiority (short story), Of Education, Calculation, Advertising, Close-up, Criticism, Genre, Soviet Union, Film Culture, Battleship Potemkin, Counter-revolutionary, Antithesis, Diego Rivera, Contemporary society, Creative work