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Emerson's Romantic Style

Julie K. Ellison

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft

Beschreibung

Professor Ellison demonstrates that the characteristic difficulties of Emerson's prose--its repetitiveness, discontinuity, and tonal peculiarities--are motivated by his use of interpretation to free himself from recurringly intimidating aspects of tradition.

Originally published in 1984.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Self-love, Conflation, God, Narcissism, Literature, Poetry, Kenneth Burke, Jeremiad, Metaphor, Parable, Thought, Bathos, Simile, Humour, Romanticism, Anti-authoritarianism, Emanuel Swedenborg, Parody, Theory, Narrative, Richard Aldington, Prose, New Thought, Paragraph, Skepticism, Multitude, Sentimentality, Allegory, Religion, Non-fiction, Ralph Waldo Emerson, Critical philosophy, Philosophy, Deconstruction, Superiority (short story), Superstition, Anecdote, Hyperbole, Søren Kierkegaard, Figure of speech, Irony, Self-Reliance, Criticism, Biblical criticism, Essay, The Philosopher, Henry David Thoreau, Writing, Participle, Genre, Reality principle, Joke, Idealism, Overreaction, Plato, Puritans, Egotism, Erudition, Word and Object, Allusion, Metonymy, Rhetoric, Antithesis, Historical criticism, Aphorism, Eloquence, Plotinus, Consciousness, Noble savage, Greatness