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Acting and Action in Shakespearean Tragedy

Michael Goldman

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Princeton University Press img Link Publisher

Belletristik / Dramatik

Beschreibung

This intensely personal book develops a new approach to the study of action in drama. Michael Goldman eloquently applies a method based on a crucial fact: our experience of a play in the theater is almost exclusively our experience of acting.

Originally published in 1985.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Infatuation, Dunsinane (play), Lady Macduff, Flattery, Of Human Action, Cowardice, Meanness, Iago, Coriolanus, Prithee, Vulgarity, Antony and Cleopatra, Epithet, Demona, Narcissism, Criticism, Irony, Terence, Diction, Superiority (short story), Evocation, Genre, Shakespeare's plays, Perchance to Dream (musical), Tybalt, Playwright, Awareness, Brabantio, Caesar and Pompey, Poetry, Philosopher, Revenge play, Hannah Arendt, Banquo, Michael Cassio, Consonant, Fortinbras, Anecdote, G. (novel), Allusion, On the Eve, Shakespearean tragedy, Tragic hero, Imagery, Characterization, Troilus and Cressida, Misery (novel), Prose, Stanley Wells, Volumnia, Rience, Poiesis, Overreaction, Soliloquy, Foe (novel), Joke, William Shakespeare, Parody, Writing, Macduff (Macbeth), Euphemism, Suggestion, King Lear, Ambiguity, Tragedy, Rhetoric, Assassination, First appearance, Three Witches, Uncertainty