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Mapping Literary Modernism

Ricardo J. Quinones

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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

Professor Quinones describes significant stages in the development of literary Modernism, redefining the period as extending from about 1900 to 1940, and beyond, and not as an entity centered on the 1920s.

Originally published in 1985.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Ricardo J. Quinones
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Ricardo J. Quinones

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Schlagwörter

Adagia, Harry Levin, Octavio Paz, Arthur Rimbaud, High modernism, Buddenbrooks, Prince Hal, Charles Baudelaire, Death in Venice, Georg Brandes, Faust, Futility (poem), Surrealism, Age of Enlightenment, Joseph and His Brothers, Reactionary, Henri Bergson, Secularization, Humanism, Modernism, Pessimism, Romanticism, Holism, The Modern World (novel), Comparative literature, Ernst Robert Curtius, Women in Love, Literary modernism, Thought, Arthur Schopenhauer, Philosophy, Thus Spoke Zarathustra, Greek tragedy, Consciousness, A Handful of Dust, Apotheosis, D. H. Lawrence, Jean-Paul Sartre, Sensibility, Kitsch, Physiognomy, Stephen Dedalus, Wallace Stevens, In Search of Lost Time, Mimesis, T. S. Eliot, Pragmatism, The Other Hand, Virginia Woolf, The Love Song of J. Alfred Prufrock, F. R. Leavis, Rainer Maria Rilke, Imagism, Modernity, Marcel Proust, Literary criticism, German philosophy, Postmodernism, V., Willis Barnstone, Joseph Conrad, Literature, Disenchantment, Inception, T. E. Hulme, Historicism, Ernst Cassirer, Finnegans Wake, Ralph Waldo Emerson, Historical method